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A true warrior – Highland Park 50 year old

Apparently, the schoolchildren from the Orkney isles have a bit of trouble understanding that they are Scottish. They do know they are British, but it troubles their minds to comprehend they are Scottish such is the uniqueness of this cluster of islands just 10 miles off the north east coast. I suppose it is easily understood, after all it has had it’s fair share of ownership via Norway and the vikings using it as a bit of a stop-over for raids into Scotland and Ireland. It is certainly a checkered and interesting past with plenty of folklore and factual history to draw upon which is why the Highland Park distillery in Kirkwall is such an interesting one. Yeah sure, there are countless sites on the mainland with tales to tell but it seems to me that this wee corner of “Scotland” ticked along quite nicely without much interference from the mainland. Perhaps the ferry was too expensive for the excise man?

Nice then, that I got the chance to taste a bit of Orcandian history for myself in the form of the Highland Park 50 year old. It’s not a new release by any stretch, as the first bottles were available early last year- but at £10,000 per bottle there are few in the world lucky enough to taste it. I was happy to wait till now.

The oldest ever release from the distillery was given to us by Daryl Haldane, Highland Park brand ambassador and general nice guy- which is surprising as he is from Fife, which is not know for many happy people.

Highland park 50 yr old.

Vatting of two refill European ex-sherry cask

44.8% ABV

1 of 275 bottles.

Bottled designed by Maeve Gillies

Price: £10,000

Appearance: Deep burnished copper with rose gold

Nose: First notes are of heavy honey and rich maple with well polished leather, dried orange peel and new hide. A more perfumed element emerges of light clove and polished woods such as mahogany with a hint of brandy butter. Beyond all of this, a leafy green oil note emerges, similar to hop heads.

Palate: As expected, the palate is huge. Rich and chewy with those leather elements turning peppery then waves of the more prominent hop leaf again. The mid palate is nutty (almonds and brazil) with rich marzipan and a note of burnt plum. Surprisingly, the palate lifts towards the end with peppermint and fennel followed by liquorice.

Finish : Sweet and juicy soft liquorice takes over now allowing this massive dram to remain entertaining and offering a supreme lingering finish.

Normally a whisky of above average age is really hard to pull apart with the aromas and flavours so well integrated that they just merge into one. But the amazing thing with this is that even a couple of days after writing my initial notes and going back to try the last remaining dram the notes stand out incredibly. Every element is in there and each note rolls up to say hello in the most eloquent of fashions.

Only two venues in London stock a bottle, Dorchester Bar at the Dorchester and the newly opened Bulgari hotel, the latter of which is where we were fortunate enough to try this whisky. The bottle itself is said to be worth around £2,500, designed by jeweller Maeve Gillies, the solid silver casing that wraps around the bottle like a sinuous web of precious metal depicts all that is Orcadian. A visitor to the beautiful Orkney islands since a child, Maeve conveyed a natural and nautical theme in her Sterling silver bottle, evoking ropes, twisted seaweed and a metal finish that looked like it could have been a very old and precious object, discovered washed up on the beach. Set on the front is a disc of genuine Orcadian pink sandstone carved with Highland Park’s logo, sourced from the original quarry that built the incredible 12th century St Magnus Cathedral in Kirkwall. Behind this disc, viewable through the glass when the whisky has been finished, is an ethereal silver replica of the beautiful rose window inside the Cathedral.
The bottle is presented in a hand-carved Scottish oak box, also shaped to feel worn by wild elements, and set with a silver and glass porthole, through which the Highland Park logo on the bottle inside can just be viewed.

Each bottle is stamped with a silver hallmark, and in keeping with Highland Park’s policy of non sequential numbering, this one simply states 1 of 275 rather than bottle number one or two of 275.

So is it worth it? Well if you deduct the bottle price and look at the value of the liquid, then it isn’t an outlandish price for such a fabulous whisky. There are plenty others out there commanding far higher. Remember though, my rule for bottles with this kind of price tag, if you are going to buy it make sure you buy two- one to keep and one to share.

Now, at the end of the tasting session, (we also tried 12, 18, Thor and 21) I took a tour of the hotel and stopped off in the cigar room. This room is London’s only internal cigar room (its a loophole I can’t be bothered going into now- basically as shop) which is run by Davidoff cigar merchants on St James. I sat with Eddie, the son in the “father & son” operation and chatted about the comparison of whisky and cigars. Eddie then presented me with two beautiful cigars, which were hand rolled just two weeks prior. Alas, I couldn’t enjoy them in the lush surroundings as I had another tasting to dash off to- and I knew I might not give the other whisky a chance with HP 50 and a cigar on the palate. But I did ask about the cigars to add to the enjoyment later.

Eddie told me that they were the “Beaujolais” of cigars- to be enjoyed young and fresh. They had in fact been hand rolled just two weeks prior by Señora Dilia Hernandez who had arrived in the UK in May and was scheduled to attend various events and Habanos Specialists until her return to Cuba at the end of July. To enjoy them at their peak, they would have to be smoked within a week. I certainly wasn’t about to test that 7 day limit.

Señora Hernandez began her career in the cigar industry 20 years ago and has achieved the highest grade of cigar roller within the Cuban industry. Not only is she well respected, but Señora Hernandez also rolls cigar leaf in a traditional manner known as “entubado bunch” or entubar – a bunching technique which rolls each filler leaf into itself, almost like a small scroll. Each individually “scrolled” leaf is then placed together to form the bunch. This skillful rolling technique creates a more firmly packed cigar which allows air to travel between all of the leaves, carrying more aromatics/flavors to the palate. Entubado rolling is the most difficult and complex bunching method and is therefore rarely employed in large scale manufacturing.

I was now the proud possesor of two of these freshly rolled beauties and I can tell you, by the time the weekend was over, both had died a graceful death.

So from the oldest of whiskies to the freshest of cigars. Some would say it was quite a nice way to start the weekend.

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Posted by on June 22, 2012 in Reviews, tasting

 

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A hop across the pond by leapfrog (Laphroaig)

On Tuesday of this week, I gathered a few friends, old and new, around to have a tasting. The assembled guests were varied and came from all walks of life. Rebecca Heptinstall whose blog, foodie foodie nom is always a good read. John Mccheyne from the Scotch Malt Whisky Society, Niamh from the ever popular Eat Like a Girl blog, the very tallented chef Maria Elia, photographer Simon Hanna, scribe Paul Antonio, Simon Ewins from Pomp Magazine, a fab crowd from The Caxton Grill, and the “fresher” from Barchick. In total about 24 people took to their seats in Liberty Lounge for a 90 min tasting and the usual jokes.

There was quite a line-up of whisky to discuss as well, starting off with the Weymss MaltThe Hive”, then onto the Chapter 6 from The English Whisky company, Balvenie 15 single cask, Bowmore Darkest 15, Glenfiddich 18 year old and a Scotch Malt Whisky bottling to finish with (a 27yr old Clynelish but you didn’t hear that from me ). Not a single whisky was turned down, and whilst many in the room were able to pick a favourite upon the conclusion of the tasting, it was fairly equal across the board for each had its own personality and drew fans to it for different reasons such as The Hive fooling most into “bee”lieving it was a single malt and the Balvenie Single Cask converted a previously adamant whisky hater to the joys of a dram! It turned into an interesting night with the guests eventually highjacking the sound-system and dancing into the wee hours.

Yes sir, I can boogie…

Twitter was buzzing with little comments back and forward as each bottle came up for review, but it was one tweet from the American ambassador for Laphroaig, Simon Brooking that spurred this blog into action. He said, after seeing the picture I had tweeted before the event “Perhaps something with a bit more sea-sprayed peat would treat you right?

And so, upon returning to DW HQ, I had a look over the bottles in the warehouse (cupboard) and picked out something with a bit more sea-spray to review.

Laphroaig 18 yr old, 48% abv

 

Aged in “first-fill” bourbon cask

Non-chill filtered

Originally launched in 2009, the 18 yr old is now the replacement of the 15 yr old.

Each year sees it released in limited quantities (7,500 cases).

Appearance: Deep straw with yellow gold.

Nose: (uncut) Softer than expected, warm salted butter with pine sap and malt loaf. Good oak backbone and faint examples of old moist driftwood. Rope from a quayside and brown wrapping paper mingle with the classic, if somewhat subdued medicinal and coal tar notes.  Soft jammy plum and dark red fruit finish the ensemble.

Palate: (uncut) Tar and spice of tobacco and liquorice. Salt comes bounding through with the sea-spray and smoke drifts not far behind it. Nutty at the same time as fruity, but very well integrated.

Finish: Lingering fresh salt and light honey suckle delight the palate long after the liquid leaves the party.

I tried a splash of water with it, cutting it back to around 43%. To be honest, apart from the increased creamy texture expected from un-chill filtered whisky, it wasn’t for me as the softness of the uncut dram is subtle enough to tempt even first time Laphroaig tipplers who perhaps had heard the rumours about this peaty monster.

 
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Posted by on May 18, 2012 in Uncategorized

 

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The Worlds Highest Whisky Tasting

This week, I had a wonderful opportunity to be humbled. It’s not everyone that would welcome this experience, and to be honest I am not known for being a wallflower, sometimes my ego arrives in a room before I do.

But, events came together in which I felt less the man I thought I was. Glenfiddich, who are key sponsors of the charity Walking with the Wounded, organised the worlds highest whisky tatsing. A live feed to Everest base camp to talk through four expressions of the Glenfiddich range.

Walking with the Wounded is a UK based charity which funds both the re-training and re-education of wounded servicemen and women with the aim of helping them find long term employment after they have left the Armed Forces.

So it was a pleasure to be asked to join the panel in the studio at the London Stock Exchange and link up to the team at base camp. Mount Everest, when you start looking at the figures and thinking about its scale, dangers and beauty, really does make you realise how insignificant you are in the world. A feeling that is multiplied when you then learn about these incredible men, who have not only overcome hurdles in their own physique but have then gone on to push the boundaries of human endeavour, even for those more able bodied.

Monty Halls, explorer and tv presenter. Jamie Milne Glenfiddich ambassador and  Ed Parker, Simon Daglish founders of the WWTW charity and myself, set about delivering a 45 minute show intersperced with video footage of the project and charity and the actual live link.

Upon arriving at the LSE, the studio was abuzz with energy. We had a sneaky preview of the guys at base camp, just a quick hello to the top of the world, before we sat in the studio and began a sound check and rehearsal. The four of us wanted to keep it relaxed, after all, it was a whisky tasting right? No need to seem scripted and wooden, but nerves conspire to make that a difficult task at the best of times.

As we went live, and sat in the studio watching the video explaining the charity, I couldn’t help but feel rather useless. Here was I , in a warm studio, glass in hand, whilst these brave lads undertook this epic challenge.

We first had a quick chat with the Pioneers, winners of a competition with Glenfiddich to trek to base camp (which takes 10 days!) and discussed the principles of tasting and straight into the Glenfiddich 12 old and the 18yr old.

Unfortunately, the sound link was struggling to cope with distance and height, but we could see from the screen they were certainly enjoying themselves. Then it was over to the Walking with the Wounded team themselves and a tasting of the Glenfiddich 15 and Age of Discovery 19 yr old. It was noticeable that those guys chose not to spit the whisky out, despite the health recommendations, but lets face it, they had recently been given the news that the summit attempt had to be called off due to the dangers on the mountain, I am sure they can be forgiven for not spitting the whisky out.

Despite the poor sound link it was clear that the boys embodied the “one day you will” spirit that inspired the partnership with Glenfiddich and that for all involved being part of the project was just as valuable as reaching the summit.  Having met the team a while back I think they have also learned a bit about whisky along the way and it was great to see them all those miles away wrapped up against the elements appreciating a good dram. We wrapped up the broadcast with a few question and answers before we all relaxed properly and shared a dram or two more with the cameras off.   But dont think thats the end- there are more exciting projects afoot and you can still donate here.

 

Watch the full broadcast here –  

 
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Posted by on May 13, 2012 in Uncategorized

 

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Dr. in the house

The Balvenie Signautre – a word thief.

I have just deleted 800 words of a blog i was half way through typing. because, it was going nowhere and i was boring myself! so why would anyone else read it?

So where to now?

Well, the jist of the now trashed piece was having Dr Sam Simmons at my tasting last night. The global brand ambassador for The Balvenie single malt. nothing really unusual in this, I get a lot of industry professionals pop their head round the door from time to time, but this was a wee bit different as I had two Balvenie expressions in the line up! The signature and the 17yr old peated cask.

Mid way through my “script” I turned to begin on the Balvenie Signature 12 yr old, and it is a dram I know well but I found myself glancing over the label of the bottle to remind be of the maturation and wood names!

WHAT!?! i can recite those in my bloody sleep!

But a feeling hit me that I had not felt since school the slight stumbling of answers in an exam- of course you know the answer, of course it’s buried deep in that head of yours, but try as you might, all that you can find is a muddy puddle to wade through until that shiny coin of hope which has until now only glinted at you from the hazy depths fully reveals itself to you in all its glory.

However, it was probably not even noticed by anyone, and to be honest by the time they had taken their first sip- all was forgiven. Turns out the feedback from the room and Sam himself was all positive.

Thanks Sam :)

I said I chose two expressions of the Balvenie, and for what it’s worth here are my notes on the both.

The Balvenie Signature 12 year old

Matured in Oloroso sherry butts, first-fill bourbon barrel and refill bourbon cask.

An appearance of rose gold and light amber.

The nose is instantly pleasing with delicate spices of cinnamon, clove and nutmeg, all gently pulled through a honey centre. In the distance, you can detect a slight wood smoke that may be mistaken for warm rubber- but in a really good way!

In the mouth, those honey sweet elements take hold, complimented once again by rounded, nutty spice. Some dried citrus cuts in before being whiskies away by that clever smokey element, disguised all this time before being let loose.

A delightfully rewarding dram, complex, smooth and interesting. elements of each wood making its mark.

and now, ladies and gentlemen, the close of tonight’s show:

The Balvenie 17yr Old Peated cask  43%

aged Balvenie – Introduced to heavily peated casks for a final maturation and then married with The Balvenie finished in new American oak. – Whats not to like?

In the glass, there is a brighter orange note that is not so typical of The Balvenie with some rose gold flecks in the background.

The nose is divine, with rich orange scented candle, cured meat and the most delicate of whiff of butter all combining to create an overall  sweet note with gentle snuffed candle smoke in the background.

And then comes the palate initially rounded and creamy with honey and toffee, it quickly sucker punches you into submission with a belt of smokey sweet cured meat. Spices then take over the party with cinnamon first to arrive, white pepper not far behind then fashionably late, a touch of nutmeg and clove.

The long lingering finish swirls with peated smoke, chewy spices and that “give me another” feeling all good whisky should have.

 
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Posted by on September 7, 2011 in Uncategorized

 

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