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Education is the Golden Key to Whisky Profit

Take a glance around a supermarket spirit shelf in any good sized town and you will be faced with quite a selection of whisky including offerings from outside the UK. In fact, as Gin, tequila and other spirits have seen a massive rise in popularity and therfore shelf space which has fortunately been driven by the consumers “thirst for knowledge” we see a general increase across the categories. Go back just fifteen years and your choice of gin would be perhaps three in total with 100% agave tequila almost unheard of in anything other than top London destinations. Today you can buy some of the best tequila and boutique gins from distillers such as Sipsmith and Chase from your local supermarket whilst stocking up on dragon fruit and edemame. Consumers are understanding these categories more and seeking out the more unusual offerings, but only after careful research gleaned from every available source. Consumers have all the information they require to hand from the enthusiastic bloggers post reviewing the latest releases, lifestyle magazines that scratch the surface a little deeper to tell the reader not only what to drink- but where and how to order (and what to ware whilst ordering!) to experience events such as the hugely popular GandTeatime and Dont-shoot-tequila which offers educational tasting events across the categories all across the UK (just like us at Dramatic Whisky). Yet there is still a need for an element of trust when a bartender or shop assistant is recommending a product which is only gained if the right knowledge is shown.

Whisky has always help a fair proportion of the shelf space- mostly due to the range of blended whisky that has always been available, but the current success of more premium spirits has undoubtedly lent a helping hand  for whisky and in particular single malt. Blends have always outshone single malt, contributing to about 90% of all global whisky consumed, and not only the standards blends but as we see premium blends such as Black Grouse and Johnnie Walker Gold Reserve start to jump over the sales targets set- although some premium blends are beginning to tag themselves with prices around that of a 10 or 15 year old single malt, the choice for the consumer is at an all time high. There is without doubt, an opportunity to up-sell in a recession stuck country such as our- people may be going out less and certainly watching what they are spending their money on, but when they do venture out its value for money and an experience they seek no matter what their status or budget, And as staying at home becomes more common place, people are choosing more premium products to recreate a “better than normal” experience at home. Unfortunately, far too often the UK hospitality sector and the high street retailer are seriously lacking the skills to deliver the right service or information, failing to capitalise altogether.

A few years back, when I managed The Lobby Bar at One Aldwych, London hit a tough time for tourism as 9/11 was a recent happening. Most of the five start establishments had slashed room prices as occupancy dropped to an all time low with some of the grandest of London’s establishments only reaching 20%. One Aldwych stuck to her guns, kept rates as standard but didn’t lay off a single member of staff. I witnessed this risky approach in action one evening as the then time C.E.O. of a certain orange budget airline, who was a regular, asked the owner directly why he was paying the rate he was when he could pop over the road to another five star and stay there for a third of the price. My boss’s response will stick with we forever- “Would you like me to arrange for our luggage porter to take your bags over because they have had to let theirs go”. Basically, if you can still offer value for money and deliver the perfect guest experience every time, you can maintain your price when all around you are loosing theirs.

Emerging markets outside the UK such as India, Russia and China have certainly helped boost the numbers in terms of whisky exports and sales over the last coupe of years and no doubt will continue to do so for some time, but surely we need to support the foundations in the UK to ensue we are not left behind- and here is where the problem lies.

To most people, a bottle of single malt is a pricey investment when buying at the supermarket as many still choose by age and with age, rightly so in many cases, comes a hefty price-tag. The consumer is left with a bewildering choice with little guidance other than the marketing departments best attempt to stand out from the crowd with a well crafted introduction to the whisky on the label- few though, actually tell the customer what the whisky actually tastes like. I’ve tried to ask members of staff for help, and even in large high street retailers, unfortunately the response is rather laughable.

Pubs in the UK don’t fare much better in my view. Most stock whisky, a blend at least, or have a carefully selected range which unfortunately is selected for them by the brand manager and therefore the bar staff think the job is done. They don’t need to actually learn about the range, it has “something to cover all palates” as the rep told them. Now of course this is not always the case- there are venues out there who do take care and consideration over the stock they invest in and support the choices with good staff training ensuring they can sell through the range and keep customer satisfaction at a peak. After all, with whisky on such a rise, there is great profits to be made on a large dram of liquid gold.

But the above is a minority, too few and far between a dram to bother seeking out. Even in my home country of Scotland I am shocked to find such a lack of knowledge and enthusiasm for our national drink which you would think would be the first place to start. Yet sadly, it is venues such as these, which are filled on a daily basis with customers who are interested in trying something different, moving up from a blend to a premium blend or a single malt, who would gladly spend that little bit extra if only the bar staff had the training and knowledge to deliver trust to the customer that they knew what they were offering and could recommend well.

In reality the local pub actually has it quite easy as they should know the clients well and therefore have the opportunity to sell a single measure of a new whisky, allowing them to try something without investing in an entire bottle from the supermarket. So why does this not happen more often? It seems to me that venue owners are as much to blame being fearful to invest in whisky. Yet the numbers are clear, whisky is on the rise. From the entry level blend through its premium big brother on onto the guidy heights of superstar single malt. You don’t have to be brave to bath in its glory- just clever and understand that with a little investment in training staff or even further – inviting the customer to partake in tasting events such as Dramatic Whisky, then whisky sales across the bar will increase. What I fear is that venue owners, upon hearing the good news about the growth in the category will simply grab an extra couple of “on offer” brands when next at the wholesaler and hope they chose well enough. Its not as if the tools are not out there on offer either. Every whisky brand manager will happily spend an afternoon at your venue training staff on the virtues of their brand. Or you can bring us in.

Try my little technique to work out if a bar knows its whisky- scan the back bar of whisky, find something you know well then think of an alternative but similar brand. Tell the bartender you want a whisky and normally drink the brand you are thinking of, then ask for a recommendation of something similar. Hopefully the bartender will offer you the brand you picked out but trust me on this- it works maybe 2-3 times out of 10. In fact, I have said at times I normally drink Glenlivet 12 in the hope they will offer me the Glenfiddich 12 but I have in the past  been offered  Laphroaig as a substitute because “Its really popular”. Eh, HELLO? Great news for the brand manager of Laphroaig, but I’m one unhappy customer if I don’t like Islay whisky and I’m afraid that all important confidence i was hoping to attain as a customer has just left the building.

Recently I was asked to consult at the bar for a two michelin star restaurant- a very well respected establishment with a great reputation. Apparently the whisky shelf was a little tired and they had asked that I come in to help revive things a little. I visited the venue and yes, it was clear not much love had been placed there with Jack Daniel’s the only American choice on offer and the usual suspects making up the numbers. However, being a French restaurant the Armagnac and Cognac range was outstanding but on closer inspection it turned out that they didn’t actually sell much of any of it. My plane was set out in three parts:

Train the staff on the current stock of whisky- highlighting “duplicate” styles and training them on how to push the up sell to these to clear the shelf of them.

Introduce replacement stock, again with another training session to ensue the staff had the correct tools to not only continue to sell the existing range but also the new additions

Return to the venue in 3 months for a refresher training course and to analyse how the sales have been.

Two page proposal, all aimed towards increasing whisky sales and maintaining a healthy GP, fee set low as it would be a fun project with a great bit of kudos attached. Result was a “Thanks but no thanks, we will leave it as it is”. I checked the proposal again and I hadn’t put too much in there for them to carry the project through themselves, the fee was below market value considering the gains from the end result and yet no, even a restaurant with a per head spend in excess of £100 could not see the value in whisky.

What ever happen to the “Auld Alliance“? Somethings will never change.

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Bar Wizards, Spirit Sorcerers and Yamazaki

Manchester saw an invasion earlier this week as over 20 bartenders, drinks experts and the management team of Drinking Classes arrived to set the world, or at least the corner of Manchester we had chosen, to rights. Drinking Classes, the name taken for the quotation from Oscar Wilde “Work is the curse of the drinking classes” is the big brother of Dramatic Whisky covering gin, vodka, rum, tequila, wine and other spirit and liqueur tasting events around the UK. Each class is headed up by knowledgeable presenters working independently of brands to deliver an entertaining and informative event.  Dramatic Whisky was to be first up from the gathered experts as we trained our newest batch of guys and girls.

We were very honoured to be invited to Bar Wizards Lounge in Littleborough just outside Manchester which would become our base for the next three days. Run by Neil Lowrey and Neil Garner (don’t Google them, they get embarrassed easily) the guys set out to impress with strong coffee and bacon rolls on day one. It was only going to get better from here on in. The bar is set in the centre of a village a short train journey out of Manchester on the northern edge of the Peak District. A detached Georgian building of certain grandeur set back from the road, elevated amidst the more average looking buildings that surround it. One would be forgiven to think there was not much more to it that your average boozer but how wrong you would be. Firstly, the knowledge of spirits behind the bar is in line with the amazing selection- especially whisky and tequilla. Unusual bottling, rare finds and all of the highest standard.

No bad from a couple of flair bartenders!

In particular there seemed to be a plethora of Japanese and Taiwanese offerings- as always I had my trusty sample bottles on hand so reviews will be popping up elsewhere on the blog soon! After the initial introduction and a live Dramatic Whisky tasting an excellent lunch was served to us with a Scottish twist on all the four course utilising whisky wherever possible. Not only were the whiskies chosen spot on for each course, but the presentation and flavours from the food itself was outstanding- remember, this is, from all appearances, a bar in the middle of a village run by two ex flair bartenders! The Kavalan single malt used in the whisky sauce which accompanied a small breaded disk of Black Pudding and haggis, followed by smoked salmon and a dram of Yamazaki Puncheon. The meal continued with slow braised shoulder of beef finished with a fresh fruit meringue, Eton Mess style and a deep fried Mars Bar on the side. First time for most trying this so very Scottish delight, and not a single one was left behind.

YamazakiPuncheon“ Cira £65

480ltr cask allowing slow maturation and less colour.

48% ABV

No- Age but 8-11 yr old most probably

Non-Chill Filtered

Colour: Light straw

Nose: At first, quite lively and forceful which is not that much of a surprise considering the ABV and cask. But give it time and big hits of caramel and vanilla come bounding out, followed closely buy baked fruits of the forest and crumble with creamy vanilla custard. Toffee apple on an oak stick twists through the background.

Palate: At natural strength, the alcohol certainly makes itself know- but once over this it opens up to deliver pretty much what it promised on the nose.

Finish: Its powerful and at first dry spice becomes soft cream covered fruits and lingers.

The buzz in the room, not only from the service and quality of the food, but the excitement of the Drinking Classes programme about to be rolled out was palpable. As I looked around, every place at the table was seated with some expert or other in their chosen drinks field. It would be a fun filled couple of days with a refreshments stop on Wednesday night at The Liars Club which continued the fabulous welcome Manchester had given us into the very small hours even although there were several days of training ahead….but this is training right?

After the three days of “intense” training it was time to return to London and put all the knowledge into action but not before I took a little look over the bar bar to sneak a few samples to review. Hopefully I will get them up over the next few days.

 
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Posted by on September 5, 2012 in Reviews, tasting

 

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Whisky Regions- who needs them?

Before I ever begin a tasting session, I can probably write down the five questions I will surely be asked. 1. What is your favourite whisky? 2. Do very expensive whiskies taste good? 3. Is it ok to add ice/water? 4. What is Bourbon and 5. How many whisky regions are there. It is this last question that normally launches me off into a ramble lasting longer than it probably should.

The thing is, you can approach whisky in a number of ways, from the very detailed study of the science involved- it’s germination, fermentation, methanols, ethanolsphenols, fatty acids, and esters bumping into copper, catalysing and oxidisingesterifying to create the flavours and aromas we expect, to the far simpler approach of knowing what style you like and just enjoying it with friends. Of course, there is a huge chasm of information between one approach and the other and I for one tend to choose a path somehwere between the two in order to understand the science without it distracting me from the joy on the whisky itself.

But what of those just starting out on the journey of whisky discovery? What should they look out for? Where should the journey begin? Well, understanding what you like yourself is a huge help. Like spicy food?  Probably going to like a spicy whisky. Like salty food, then it might be a coastal distillery you aim for. So how about these whisky regions we hear of? Surely those make it simple I hear you say. Well no actually, they only confuse in my opinion.

There are six whisky “regions” in Scotland. Highland, Speyside, Lowland, Island, Campbelltown and Islay. Supposedly, these areas each have their own distinct style and therefore give an indication of the whisky inside the bottle when the region it hails from is printed on the label. That, quite frankly, is the type of out-dated approach to whisky that won’t do it any good as the world of whisky (non-scotch) builds in quality and confidence causing us to cling to our tartan hems as the waters of progress start lapping at them. To understand why regions play little or no part in modern whisky, we have to understand how they came about in the first place. In the early 16th century, the whisky produced would have been distilled from a variety of grains, including barley, and these grain recipes would no doubt have differed from farm to village as any surplus of harvested grain was set aside for distillation. Whisky was in a healthy, if somewhat unregulated, state of production all across Scotland,  but it wasn’t until the union of the English and Scottish parliaments in 1707 that we start seeing a big shift in attitude and production. A malt tax was introduced (as had already been the case in England) which upset Scottish producers and consumers no end and it’s continued increase saw riots in the streets and general bloody unrest know as the Malt Tax Riots. As taxation increase once more illicit distilling was just around the corner, forced out of the farms and homes and starting to spread (home-made spirit was exempt from tax).

As Londoners lay drunk in the streets on gin, parliament drew up the Gin Act to try and stem the “flow” of gin consumption and limit production and sale by imposing costly licenses and high duty for producers and retailers. Scotland was exempt (for now) of this act and as such, production of mixed grain spirit increased which would eventually make its way across the border to be made into gin.  Although, it was probably a ban on distilling in the mid and late 1700′s (crop failure) that helped drive the illegal sale of whisky in Scotland, as the home distiller, still under the radar of the excise man and exempt from the legislation imposed on its commercial neighbours, started to supply the ever increasing demand for whisky.

The Highland Line (the first of the regions) divided Scotland in two, for the purpose of differing duty and regulations about spirit production. The tax was lowered for those above the line, but they were banned from exporting the spirit out of the region (yup, not even within their own country) but this did see a certain amount of quality control as Highland distillers could use a smaller still than their Lowland counterparts and could take their time in the production of the spirit. Those below the line however, were forced to produce a harsher spirit from still which could be worked quickly in order to increase outrun. This of course all fell nicely into the hands of the smugglers and illegal distillers who cashed in on trade opportunities around the UK. It wasn’t until the early 1800′s and the introduction of the small stills act  that the Highland Line was abolished, the duty was reduced and smaller stills were permitted. This saw a fast growth in legal distilleries and an equilibrium of quality between the two now defunct regions. So, a historic line drawn for tax purposes which THEN changed how those above and below distilled their spirits still demands we choose our whisky style based on location. Glengoyne distillery, which happens to straddle the imaginary line distills in the Highlands, yet its warehouse lies on the opposite side of the road effectively in the Lowlands…a case of split personality?

For the purpose of this blog, I have only just scratched the surface. For more in-depth information about the history of whisky and how many of the traditions evolved I suggest picking up a copy of Charlie Maclean’s book – Malt Whisky, The Complete Guide in which Charlie really gets to grips with the historical side of whisky.

Speyside has one of the highest concentration of distilleries now in operation in Scotland. The land surrounding the river Spey is fertile and produces excellent quality barley from its deep alluvial soil from the banks of the Moray firth, good peat moorland, plenty of springs from the snow capped Cairgorms which also provided great hiding places for the number of illegal distillers of the time. Speyside has a vast array of styles but due to the fame of The Glenlivet distillery, many tried to emulate its light fruity flavour and smooth finish. Yet, just in the next glen we can find heavy full on rich style (Aberlour) and even a smokey whisky (Ardmore). The diversity of these distilleries simple means you can’t guarantee the style of the whisky in the bottle if it says “Speyside” on the label.

Campbelltown, a town on the Kintyre peninsula which hangs down off the west of Scotland, did at one point have over 25 distilleries, with many more in the surrounding countryside- and like Speyside benefitted from good peat, barley, spring water and troublesome geographical location. By all acounts, there didnt seem to be a particular “style” produced here, something between the Islay distileries and Highland. Today only three distilleries making 5 different whiskies remain Springbank (Hazelburn, Longrow), Glen Scotia and Kilkerran. There is something you can guarantee from this droop of land as a friend of mine who worked for the BBC told me the angle the peninsula lies off the coast is the maximum angle the naked male appendage can be if ever viewed on the BBC with the island of Arran adding somewhat of an additional piece of imagery for this purpose.

So what are we left with? The “islands” and “Islay“. Well, considering the islands are lumped together as all islands of Scotland (with the exception of Islay) no matter if they are tucked up in sheltered firths such as Arran, Lewis in the outer Hebridean or Highland Park on Orkney- far too vast an area to have a singular “style”. There are heavily peated styles, light and floral, rich and fruity….good luck.

Isaly, I am almost tempted to say is actually they only one you can be sure of style. Typically peated, fresh and maritime notes with the distinct nose of iodine from the heavily peated barley. But would that put you off Bunnahabhain? Seeing the words Islay on its label, if you didnt like smokey whisky might just do that. But Bunnahabhain, on the north east of the island, does not peat its barley and therefore is not a smokey whisky (although they now have Toitech).

So, these regions we seem to so dearly to maintain are nothing more than marketing provenance to a by-gone era. They do little to help us understand what is in the bottle and can simply confuse a reader in most cases. Thankfully, brands are beginning to realise that it is better to put better tasting notes and a bit more info to help out, yet its normally on the back label with a region proudly displayed on the front. Further to this, distilleries like Balvenie are constantly pushing the development of their style- with the likes of Single Cask, Peated Cask and full sherry cask all joining the list from the distillery normal releases and none of that trio are anything like the expected taste and smell of Balvenie, a risk perhaps which could upset the regular Balvenie drinker- but distilleries like Bavenie realise that the whisky drinker is changing, becoming younger, coming from new countries and from very different backgrounds. These individuals are key to the future growth of whisky and are choosing their tipple on flavour, not historic political or geographical boundaries.

 
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Posted by on July 3, 2012 in Uncategorized

 

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The Spirit of Broadside

Funny how things change, develop and in some cases simply conform whilst others stubbornly cling to an original idea for better or for worse. But what happens when something with heritage and a reputation for consistant quality goes and does something completely out of the ordinary? Risky strategy for any business to adopt…but one such company has recently emerged to do just that and succeed.

Well, I say “emerged” but that does make Adnams sound like they are some new kid on the block, but far from it, as they have been brewing great beers in Southwold since 1872.  Adnams lay claim to some 24 million pints of beer a year. Whilst still a family company, Adnams pride themselves in innovation which is of key value in the success and development in recent years and also key in the decision to create spirits alongside the famed beer.

They now produce Gin, vodka, limoncello, liqueurs, whisky, absinth and eau de vie amongst a few other secret projects quietly ageing down in the cellars.

I have been fortunate to try all of the above, but as my company name suggests, I want to stick to reviews on the oak aged spirits. Although both the gin and vodka produced at Adnams are being aged in wood, and both to very good effect I might add.  The limoncello is first class, bursting with freshness and lemon sunshine. The whisky, whilst only 18 month old at the time of sampling, is interesting and worthy of a wait to full maturation to try again. It is of note, that with all the spirit produced at the distillery, they have chosen to age in brand new wood rather than first fill. This might not always be the case, but for now it seems that way.

The master distiller at Adnams, John McCarthy, was kind enough to show me round on my recent visit and sample a few of the new “experiments” such as an absinth which turns violet with water! You can’t help but think there is a bit of Willy Wonka magic happening amongst the shiny copper and stainless steel contraptions neatly crammed into the old brewery building.

First off, the eau de vie is a distilled beer, as is all whisky in essence, yet due to the fact that hops are added to ale, it can’t be called whisky (one too many ingredients). Eau de vie has strong links to whisky, for a start, it is where the word Whisky originates…eau de vie means “water of life”, and in the old Scots tongue, this translated to “uisge beatha“, which in time was anglicised  to sound like whisk- bay (whisky).

Broadside is the beer they have selected to distill and it is brewed from pale ale malt and first gold hops and was created in 1972 to commemorate the tricentenary of the Battle of Sole Bay, fought against the Dutch Republic in 1672 off the Southwold coast. The beer itself is rich in flavours of malt and hops and bottled at 6.3% abv. It is useful to know that the bottled version is slightly different to the cask version, the former  know as ‘Strong Original’ is true to the original recipe were as the cask edition is a different recipe and ABV. Both recipes do create a dark ruby beer with a deep fruity nose and palate which has is likened to Dundee cake and molasses. Hopefully, this character will remain through the distilling process and be apparent in the eau de vie. Once distilled, the new make spirit is transferred to heavy charred Russian oak casks and set to rest for 12 months in the cellars below the distillery.

Adnams Spirit of Broadside

Distilled 2011, bottled 2012

Non-vintage

43% abv

Appearance:

Burnished gold

Nose:

Humbugs and warm fig with light orange notes coming through. Quite a bit of fresh vanilla and youthful oak wrap around a malty new make nose but manages to maintain a lively feel on the otherwise heavy aroma.

Palate:

The appearance of light charred wood smoke makes the spicy palate settle with nutmeg and generous cinnamon before lighter nut elements take hold and help dry out the mouth. Less fruit than the nose may have led us to believe, perhaps hidden in the adolescence of the spirit.

Finish:

The light smoke play a major role on the finish accompanied by soft caramel and peppery spice.

All-round, an interesting spirit, and great to see something new from such an establish company who are clearly not shy at experimenting, but I would be interested to see how the product develops with a touch more age in those feisty new casks.

 
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Posted by on May 14, 2012 in Uncategorized

 

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You can always count on a woman.

I have never been one to read much, and when I do, it tends to be historical, factual stuff. Avoiding politics and religion I have always been fascinated by those around us (and past) that have made a mark on the world, left a legacy or even a scratch in the dirt deep enough for others to see. At one point I really got into Einstein and the chaos theory then the discovery and introduction of LSD into society before realising it was all a bit too chaotic and mind-bending to understand- so ditched those and stuck to biographies such as Oliver Reed and Hunter S Thomson both of which turned out to be twisted and chaotic without science to justify it.

Olly, not a lover of water.

We forget, or certainly I do, that these people must have been then, as they are now, viewed with great reverence and awe. Giants amongst the little people, living out lives just as they wanted to, bouncing from one mishap or fall to the next but always seemingly able to overcome and conquer. Although, neither Hunter nor Oliver managed to overcome (but did manufacture) their eventual end, both of which fell victim to their chosen way of life.

The stories retold in these and similar books about the lives led of these and many other “idols” are countless and each more eye-popping than the last.

But what of the unsung heroes, those out of the lime-light. The everyday people who encounter a hurdle, a hardship, a loss and yet bounce back, battle on and show what they are really made of? It happens all around us, every day in every walk of life, but just because it’s not well publicised or they are not a prominent figure in our society doesn’t make them any less special.

This train of thought came about after a rather rare opportunity was offered to me. Last week, to mark the launch of a very limited run of 13 yr old single cask Glenrothes whisky and the centenary of the loss of the Titanic on the 15th April 1912, a very select few were invited to the offices of Berry Bros & Rudd.

Having traded from its St James street offices since 1698, originally as a coffee house, which was seen as such a luxurious item and a stimulant, that it was reserved for male gentry only. Oh how times change! They moved on to wines and spirits as they grew but I am not about to go into all the history of this company as it vast and detailed You can read more about it here.

Ronnie Cox - style.

The ambassador for Berry’s heritage brands such as Cutty Sark, The Glenrothes, The King’s Ginger and No.3 Gin is Mr Ronnie Cox. If ever you get the chance to meet him, and he seems omnipresent, then you will instantly realise why this gent of gents is so perfect in this role. Always in a bit of tweed, immaculately turned out and the most perfect of hosts- all this despite his Dundonian origins. Whilst recalling an anecdote about the offices, Ronnie said he had asked one of the directors to accompany him whilst he walked the tour of the building, just to ensure he had all his facts correct. The tour normally lasts 90 mins, but two hours later the two men where still at the starting point, the parlour, which happens to be the oldest room in the building. Modest in its size it may be, but bountiful in history it certainly was and after those two hours, only two walls in the parlour had been discussed. I suggest a tour of the offices soon- just make sure you have nothing else to do that day!

As wine and spirit merchants, BBR attracted high profile clients and serviced many of the fashionable houses around St James and Mayfair. Holding casks of wine, cognac and whisky for the household butler (or bottler which is where the term originates) to fill up into vessels and decanters and return to the houses. They also did a roaring trade overseas, especially America and it was the Cutty Sark that held the most prestigious of positions in the company, often referred to as “Uncle Sark” as it helped bank-role the wine side of the business on many an occasion such was its popularity. Although the wine team probably like to keep that quiet.

The company had two connections to the Titanic and its fateful maiden voyage. On the 17th of April 1912 the company received a letter from the White Star Line detailing the loss of 69 cases of their wines and whiskies which were aboard the ship which had foundered two days earlier. A framed copy of this letter still hangs upon the wall of Berry Bros. & Rudd’s famous London shop at No.3 St James’s Street. A second, and slightly more precious cargo was Lady Rothes, the Countess of Rothes which is the town where The Glenrothes is distilled.

Lady Rothes- the "plucky little Countess"

During the ships fateful striking of the ice and the following hours, it seems Lady Rothes showed what she (and no doubt many of the women of the time) was made of. Here is an extract from a member of staff from the Titanic, recalling her valour- ‘There was a woman in my boat. She was the Countess of Rothes. I was one of those who was ordered to man the boats, and my place was in No. 8 boat. There were thirty-five of us in that boat, mostly women, but some men along with them. I was in command, but I had to row and I wanted someone at the tiller. When I saw the way she was carrying herself and heard the quiet, determined was she spoke to the others, I knew she was more of a man than any we had on board, and I put her in command. I put her at the tiller, and she was at the tiller when the Carpathis came along five hours later.’ Several ladies proved themselves to be efficient oarswomen“.**

There are countless tales of valour from that day and obvious woe at the losses, but of course the effect of the sinking had far more reach than perhaps we stop to consider. We all know the cry of “women and children first” in a disaster situation, but think about this a bit more. Of the 2229 people on board (crew and passengers) only 713 survived in total. 215 were crew and 23 of that crew were female. clearly they knew the ship and how to get off. Of the 498 passengers who made it, only 146 were men. Imagine how many widowed wives and fatherless children arrived in America, with everything they owned lost at sea and no male to help work to rebuild heir life.

As we sat in the directors dining room, we were entertained by Amy Sell, a historian from FindMyPast.co.uk who clearly had the upmost respect for the subject. As Amy relayed stories about the survivors and the less fortunate, we were given a glass of The Glenrothes Titanic to raise in their honour.

After the toast, we were expertly guided through the tasting by Douglas Mcivor of BBR who selected the cask that ended up in the bottles before us. A few points about the whisky. Firstly, it is the first Glenrothes to be bottled and labelled outside the globe bottles which are the house style. This instead was a clear nod back to the bottles that would have been sunk with the Titanic and in fact the label is as close as possible in style to the “Edwardian” label used at the time with BBR. It is from a 13 yr old, single cask using an ex-Olorosso sherry, bottled at 46% ABV and is non chill filtered. The release is of only 100 bottle and has already sold out!

The Glenrothes Titanic Limited Release

46% abv Non-Chill Filtered single cask

Appearance: Golden with virgin olive oil tones.

Nose: Rich vanilla and deep rounded citrus of candied lemon and dried fruit. Yellow zest keep it light before further fig/date aromas and a warm coffee elements emerge.

Palate: Creamy vanilla, deep fruits again with an oily, almost liquorice edge and warm brazil nut. Warm spice of mace and black pepper with balanced tannins.

Finish: Continues with a deeper coffee and brazil nut with liquorice root.

** extract from encyclopedia titanica

 
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Posted by on April 13, 2012 in Uncategorized

 

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