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Deanston 1974 – Almost as old as me and holding up better.

On a recent trip back to Scotland I managed to squeeze a quick visit to Glengoyne into my crazy schedule and as always it was a pleasure, but I was also keen to go somewhere I had never been.  Luckily for me Deanston was not too far from where I was based for the week and despite the fact I have probably driven past the end of the road thousands of times before, this would be my first “official” visit. The visitor center only opened last year though so I can be forgiven.  I wrote before about the distillery from my research and reviewed the 12 Year old here but this time I wanted to have a look around and get hold of some of the distillery releases.

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The distillery might not be in the running for “prettiest” in Scotland, but just like a bottle of whisky, it’s whats inside that counts and not only is the story of Deanston interesting, but the welcome is well worth seeking out. The visitor center is recently opened and it is clear to see that everyone involved is very proud indeed. Being met by Peter Semple, visitors and facilities manager we avoided the normal tour and headed straight for the heart of the distillery, stopping off prior to get an insight into the social history of the once cotton mill turned whisky distillery.

There were two particular whiskies that I had heard were available from the distillery which are not seen that often and I was keen to sit down with Peter and run through them. The first being a Spanish Oak release and the second, a 1974 bottling which, as it is the year of my birth is always of interest to me. Sadly, Peters hospitality did not stretch as far as to donate a bottle to my birthday fund, but at £800 a bottle, you cant blame him.

The first to review was the Spanish Oak- a 19 year old whisky matured first in ex American Bourbon cask for 11 years before spending a further 8 year in Spanish cask, namely Gonzalez Byass Lapanto brandy cask. This solera matured brandy is of 15 years or older and is the only brandy produced in Jerez.

Deanston Single Malt Scotch Whisky “Spanish Oak”

deanso

19 years old

Non Chill Filtered

Cask Strength 57.4% abv

Appearance: Bright copper and warm gold

Nose: Dark skinned fruit and light linseed oil start the proceedings with a drying note of struck match in the background. Brandy butter over red apple core with warming spices of mace, clove and cinnamon. Rich honey becomes toffee like but remains in check with a base of forest fruit compote.

Palate: Grippy at first, a teardrop of water helped to calm the assertive spice and phosphorous elements which became plummy and sweet like stewed fruits of prune, blackcurrant and cherry pie. An earthy spice with sweetness such as liquorice root maintained balance.

Finish: Earthy spice of sweet liquorice root takes hold with blackcurrants on dry toast to the end.

Deanston Single Malt Scotch Whisky 1974

deanston74

37 years old

Non Chill Filtered

50.3% abv

Ex Olorosso Sherry Cask

Appearance: Polished bronze and rose gold

Nose: Chicory, coffee essence and toffee begin this rich, aromatic nose before baked apple with molasses drizzle come in. The fruity element remains but becomes deeper and turns to blackcurrant, cassis, cherry and honey. Towards the end or the lingering scent, a lifting waft of tea-tree honey helps balance the richness.

Palate: A bold start with gripping spices and edgy mineral notes before turning sweet with baked apple. It takes a little time to calm and allow the honey and toffee element to speak for a short while before the spices run riot again. Oily, tingling and spiking throughout the fruity mid palate this could be seen as a challenging whisky perhaps, but in a great way. Fruit, nut, honey and spice- its all in there.

Finish: Turning nutty with a slightly tarry note with coffee bitter edge. The lingering palate never seems to fade. Outstanding.

Summary: If the friendliness of this particularly “new” distillery wasn’t enough to make you stop and say hello- then both these drams waiting for you at the end will surely clinch it. Both offering up something totally different between them and a far cry from the standard Deanston 12 year old and the house style we might expect. I certainly loved both of them and hope Peter remembers my birthday on July 30th ;)

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Posted by on March 5, 2013 in Education, Marketing, Reviews, tasting, Whisky

 

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Deanston 12 yr old Single Malt – Spinning a good yarn.

I’m not one for the normal marketing bullshit as you may well know. Marketing, in the most part is needed in this fast-moving world of information but of course this sometimes leads to an added spin to try to lift a brand image higher out of the pool of competition. With this in mind, I was delighted to receive a bottle of Deanston 12 year old single malt at the Dramatic Whisky offices.

The story is simple,clear and the product speaks for itself. This whisky does not have its roots in the by-gone eras of whisky history, no tales of bootlegging and illegal stills hidden amongst glen and atop Munros, but is born from a passion (and business mind) to produce a good product from the off.

The Deanston distillery was, unlike many others in Scotland, not built to distill whisky. In 1781, a cotton mill was built on the river Teith which is about 8 miles from Stirling in the central belt of Scotland. The location at the time was key as shipping along the busy canal that ran from Glasgow to Edinburgh would no doubt aid distribution at the time. Continuing as a cotton mill until the mid 1900′s and the decline in the cotton trade the decision was taken to switch the mill over to a distillery in 1965 to capture the ever increasing demand for whisky. However, like most good things, it didn’t all run so smoothly and in 1983, as the sales in whisky dropped, the distillery was mothballed until its acquisition by Burns Stewart Distillers in 1990 and production begins again. The demand for whisky was on the increase once more and Deanston was a soughtafter by many leading blends, as well as Burns Stewart’s own Scottish Leader blend.

Powered by its own hydro-electric plant using water from the Tieth, Denston actually produce enough power to give back a proportion to the National Grid, making its production very green indeed. Couple this with the fact that Deanston only use Scottish products and its barley is certified organic, this low impact whisky is unique amongst other whisky producers. And it does not stop there as thankfully, the non-chill filtered, non coloured whisky found inside its attractive yet simple packaging is at a chewy 46.3% ABV helping retain as much of the natural feel of the dram.

The 12 year old is the first in the range of whiskies produced, again showing that time and patience, along with some canny knowledge and the best ingredients is all you really need to produce something great.

Deanston 12 year old Single Malt Whisky

Non-Chill Filtered

46.3% abvDeanston_12yrs_with_carton

No added colour

American ex-Bourbon cask

RRP. £29.65

Appearance: Honey gold with bright yellow

Nose: Light lemon curd, peeled granny smith apple and malty richness followed by soft vanilla and buttery rich cream. and honeysuckle.

Palate: The strength is well masked with generous white fleshed fruits and rich vanilla turning to caramel. Chewy malt and light oaky-wood spice help maintain a well-rounded and complex taste for its age.

Finish: A touch drying, but still plenty of character with malt lasting all the way through the thick buttery fruit palate.

Summary: A very easy drinking dram indeed. Just enough of all the right component parts to satisfy most palates and certainly one to always have to hand.

 
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Posted by on January 16, 2013 in Education, Marketing, Reviews, tasting, Whisky

 

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Bunnahabhain 40 year old. Lost and found

You know that feeling of panic that sets in when you loose something like a set of keys and you are on a tight schedule, slapping pockets, turning over sofa cushions in a frantic attempt to discover their hiding place. Horrid isn’t it, but when you eventually find them the rush of relief is great. Or when you remember about a possession you haven’t seen in a while, you know you have it, but its just not been in your life and when you do stumble across it again, its welcomed back and put to good use.

So imagine if you happened to stumble across a cask of 40 year old whisky that you didn’t realise you had. Just how would that feel? Well, you could ask Ian MacMillan, Master Distiller at Bunnahabhain because thats exactly what happened to him when he found some ‘Turney’ casks, which were filled with Bunnahabhain whisky over 40 years ago by Glasgow wine merchants J G Turney. I suppose its difficult to imagine how you ‘forget’ a few casks, but as Bunnahabhain store around 21,000 casks at the distilleries warehouse on Islay, (some of which will make its way into the superb Black Bottle blend) it becomes a bit easier to understand.

Bunnahabhain has long been a favourite of mine and I have used a number of bottles including the duty free releases of Darach Ur  in my Dramatic Whisky events to show people that not all whisky from Islay is peated as is the popular misconception about whisky regions. Therefore, I was more than delighted to reciev a sample of the newly discovered 40 year old Bunnahabhain which was accompanied by a illustration from the label created by  Iain McIntoshScots illustrator, which depicts the journey this rested malt has undergone.

Bunnhabhain Single Malt Scotch Whisky

40 Years Old

Limited release of 750 bottles

ABV 41.7% vol. Un-chillfiltered

RRP: £1999

Appearance: Burnished copper with rose gold

Nose: Candied orange, vanilla wax cande, nougat and heather honey. Light earthy spice, ginger bread and balsa wood all very well integrated and still lively. Waxed leather saddle with lavender and violets round off the nose.

Palate: Orange oil with a mineral note, almost diesel like before rounded malt and ginger spice open the palate up allowing deeper vanilla and earthy spice to grip hold. Seems to sit on top of your tongue for a while before sinking in. Very little wood element which is surprising considering the age.

Finish: Clean yet spicy, again almost a mineral/fuel-like dryness before light oak and vanilla linger.

Summary: Certainly lively for its age and and unsurprisingly complex but its this assertive spice that perhaps shows the greatest departure from the classic Bunnahabhain style. Its heading towards a dryer style of whisky, perhaps held together with the waxy element before becoming too oaky.

Right, I’m off to search down the back of the sofa for my keys again.

 
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Posted by on November 14, 2012 in Reviews, tasting, Whisky

 

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The Arran “Robert Burns”

It is no secret to those who follow this blog that when a new release to the ever growing whisky world makes it to my desk, festooned in mock highland regalia and images of old Scotland, that my shoulders drop and my enthusiasm wanes. That is not to say that I don’t ever give the liquid a fair and unencumbered  review. It’s just the packaging that sets my teeth on edge. So, as the newest release from The Arran distillery came to me, I immediately adopted said pose and mindset.

But wait, Sometimes there is a reason beyond that of trying desperately to hook those in search of the old misty hills of the homeland in the bottom of a glass. And so to The Arran “Robert Burns”.

Since 2000 The Isle of Arran Distillers have been granted life membership of the World Burns Federation – an organisation based in Kilmarnock, Ayrshire which is dedicated to the life and works of our national poet Robert Burns.
Born in 1759 , the Ayrshire boy’s links to the isle of Arran are well know and although he never set foot on the isle, it is certainly visible from Ayr beach. Apparently, to release the daily grind of working on his fathers farm, Robert started to write and in his mid teens produced his first poetry which was dedicated to the main subjects which dominated his life – whisky and women! I think we would have gotten along quite well.  Although, during his life Roberts link to whisky was not always favoured as he took up employment for his majesty as a customs & excise man- a post about as popular as a traffic warden in today’s terms. However, he kept writing and his love of whisky remained true. By the time ill health saw his to an early grave at just 37, he was well known, but his work had not yet gained the attention and respect that it has today.

The isle had around 50 illegal stills in operation at the time Robert first put quill to paper and the quality of spirit produced there was claimed to be very high leading to many fine gents “taking the Arran waters” for health purposes. Fast forward a few decades and we have just one distillery in operation.
Independently owned and run, The Arran distillery opened in 1995 on a site picked out for maximum benefit of the microclimate offered by the Gulf Stream and the purest  water supply in all of Scotland at Loch na Davie, high in the hills that overlook the village of Lochranza on the North coast of Arran. Using traditional  wooden wash backs, dunnage warehousing and choosing to use no additional colourings and many of the releases are non-chil filtered, they are staying true to the natural spirit.

The Robert Burns expression is a marriage of varied years, from both  American oak ex-Bourbon casks whith a smaller proportion of ex-Sherry hogsheads and bottled at 43% and is the “Official Robert Burns Whisky”

The Arran Distillery “Robert Burns” single malt

No age statement

43% abv

Colour: Pale yellow gold with light straw

Nose: Vanilla ice cream with slices of granny smith apple with turns to stone fruit and light oak. Malty notes remain and a freshness of New Make lingers in the youthful nose.

Palate: Creamy butterscotch at first, rounded with delicate spices of nutmeg and cinnamon towards the mid palate. Light in its character yet well balanced elements of youthful vanillin, dry wood and warming light spice help build a lingering palate.

Finish: Slightly chewy malt with vanilla cream coats the mouth as the light spice remains.

Summary: A very light whisky, well balanced and offering just enough to be interesting. Doubtful it is close to anything the bard would have drunk back in the late 1700′s as it’s light style was not in particular fashion back then, but I doubt he would complain if a fine lass handed him a glass of this today. He would also be pleased, as a Scotsman, to discover the very reasonable retail price.

 
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Posted by on October 18, 2012 in Reviews, tasting

 

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A Jolly good time

This job certainly introduces you to a lot of people from all walks of life and indeed all parts of the world, each with their own views and opinion of whisky. And I suppose this is part of the allure to me. There is always a sense of anticipation as I set up a tasting in a new venue or in front of a new crowd. I was told a long time ago to “never fear fear, because it’s the fear inside us that brings out the best” and this is certainly true. By thinking through every possible situation, reminding myself of the real detail of whisky production and all those geeky questions I have been asked over the years helps me focus and of course, the questions eventually are never that in depth.

This year already I have been working with Savoy hotel in London, Charbonnel et Walker chocolates, Park Lane hotels, three new venues and the usual venues I frequent perhaps too often. And the one that sticks out for me is The Jolly Colliers in Coalville.

Now, I am sure the landlady (Fiona) won’t mind me saying that this is no Savoy or Park Lane establishment, lacking the grand foyer or gilded ceiling but what it lacks in appearance, it more than makes up for in welcome.

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Jolly on the inside...

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Kebab anyone?

I was booked to run a tasting there after hosting one in Nottingham, which is not too far from Coalville. One of the attendees saw this as a great night out for his pub and put me in touch with Fiona. A few emails and Facebook messages later and a date was set, numbers confirmed and whisky arranged. It only took about an hour for me to drive to the Jolly Colliers, finding it nestled in the dark, in what seemed like a truck stop at the time and quite and industrial area. A flashing neon sign above the door telling the night that it was “open” seemed even more out of place than the venue itself. The pub has obviously stood for a lot longer that it’s surroundings and seemed swamped against its backdrop of steel sided warehouses and storage units. But the lights were on and the door open.

I spent my “apprentice” years in venues like this, simple decor, bright lights, good range of ale (and whisky!) and a warm welcome, which is exactly what I received as soon as I was through the door. Substance over style. Perfect. The room was filled up already and was quite an interesting mix and clearly some regular whisky drinkers (they already had one in hand), a few “I don’t touch the stuff” and everything in between.
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Like any bartender or speaker in general, the biggest challenge is to quickly gain the audiences trust – your words fall on deaf ears until the listener makers up his or her mind if they want to believe you. This can take a while, especially in London where many people think they know best and almost ignore you, (I despise the rudeness of some) and it seems all too apparent where whisky is involved as this tends to bring out the “I have drunk whisky for more years than you have been alive” brigade. Talking over you with their own nuggets of wisdom or little whispers to the fellow next to them can be very off-putting. Well, it used to be, but the key is to talk with your mouth and listen with your ears, waiting to pick up on a line or comment that can be used with, not against, the individual to capture their attention. It’s a fine balance between using this info to shame them, and using it to bring them on board and illuminate their under-breath comment in such a way that you actually are inviting them to stand next to you on the floor and be a bigger part of the showcase.

Fortunately, the opposite happened at the Colliers. It was obviously a room of regulars, who may not have all know one another personally, but certainly felt comfortable in each others company enough to heckle me from the start! But in a good way and without malice.

It took me by surprise, but it was welcomed because instantly the banter began and the laughing started, and continued. The whisky flowed, the questions were great and there were numerous stops between drams for “comfort and nicotine breaks” as most had a pint at the same time. This session morphed into a true whisky tasting…a breakdown in style perhaps, and not what I am used to, but wonderful none the less. Relaxed, funny and engaged- and that was the crowd, not me!

Sadly, due to the fact that I had drive to the venue, I made a hasty exit and jumped back in my car before being tempted to join in with the growing offers of a dram or a pint at the bar. I wish I had… I could see that ending up in quite a fun night and the whisky was enjoyed. I have no doubt that some of the info went in one ear and out the other, but then I don’t think they came to learn, this crowd wanted a social event and they created exactly that. The Colliers certainly deserves its Jolly prefix.

Before I left, I spoke to a regular and the landlady, both of whom left me pondering some big questions. The first came from the regular, a shaved headed, heavy-set man in his late 20′s sporting a white track suit top and thick gold chains making him perhaps the kind of individual you wouldn’t instantly strike up a conversation at the bar with, but as we all know, “never judge a kindle by its protective cover”.

He was so intrigued by whisky, having never been to a tasting before, and the differences that can be found. You could clearly see he had been shown an entirely new world and he liked it. During the session, he actually came up with some really good questions and tasting notes showing that he clearly understood whisky even if he really didn’t know about it (and there’s a big difference).

One question he posed to me left me thinking.
He said “I drink Jack Daniel’s in town, and when I ask for whisky, that’s what they offer. So how do i get a better range in my local?”

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Honestly this was the only image of JD I could find...

We’ll, obviously there are a number of ways to approach this right? Is it the bars fault? The customer? The brands? Who makes the first move? Repeat custom brand calling will get the whisky range increased but that will only come through getting more customers to understand whisky (that’s my job). The bar, who probably thinks it does not have whisky drinkers amongst its clientele, and thinks its a waste of revenue to shelve more of a selection. The brands, who do try their best, probably don’t focus on the type of bars this customer would frequent- aiming at trend/city bars instead.

It’s a vicious circle really and one I expect every bar, brand or customer will have an opinion on. Just how do we make whisky more accessible? I know for a fact that the Jolly Colliers sells a better range of whisky now since the Dramatic Whisky sessions took place and I can site other “no-frills” off the radar venues which can say the same.

The second, and not so much a question, really stumped me. The Jolly Colliers is brewery owned and as such, Fiona, is a live in landlady. It’s quite typical with this type of venue really so no surprise there. What was a surprise is that the brewery have decided to evict Fiona as the pub is not making a great deal of revenue. The figures were divulged to me, but I am not about to discuss them here, but the amount the brewery asked on a daily basis was astronomical. Clearly this landmark had been viewed from behind a desk and someone in finance had earmarked it as a black-spot. In essence, this pub is on the way out and with it will not only go a fun and caring landlady but also the heritage of the place. The centre of the small community that frequents it and passing trade will have to look elsewhere, but where is there?. This venue is not somewhere that can suddenly turn into a wine bar or host a fab cocktail list to encourage a new, but no doubt transient, crowd. It’s not a trend or a destination bar, it’s a pub. Remember those? The type of place we all probably had our first sly underage pint in. Sitting in the corner, hoping that no one will tell your dad that they saw you. But in reality, your dad would welcome the news because this is a safe place and you would be kept in line by the regulars. Far better than a street corner and a carry-out (that’s a Scottish term for a bag of booze destined for the park on a Friday night).

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It really saddened me to hear the news that the smile is to be wiped off the “Jolly” Colliers face once and for all. It’s unlikely another landlord/lady will make any better of this diamond in the rough. It’s not the fault of the staff or the punters. Just another statistic on a financiers sheet not quite making the grade and instead of maintaining the shine on this wee jewel, the brewery will cast it off like an unwanted trinket. I have worked as management for brewers before and so I speak from experience when I say they only care about the money. If you don’t quite make the grade, no matter how much you try with the limited resources they give you, its over.

I once ran a bar with a 500 cd collection in it, renowned in Glasgow as “The” place to be seen. Turned a mint. Brewery bought it for a ridiculous amount of money (I don’t blame the owner) after seeing a typical Friday night in this small basement location. When asking for petty cash from the new owners to replace the cd collection I was given the response of “buy two compilation hits albums and put them on repeat”. Needless to say the bar went from taking 25k a week to 8k and was sold on by the brewery shortly after for a loss. They just didn’t get it.

These pubs, along with the people that run them, the punters that frequent them and the occasional guest that has a warm welcome from them, will disappear. The building will be boarded up and in time be flattened to make way for a bit more of warehousing or another drive through.

Don’t get me wrong. I am not about to start a petition to save another pub, but in answer to the man in the track suit asked me earlier “How do we get to know about proper whisky?”

Well, you come to a place like the Jolly Colliers- but not for long.

 
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Posted by on March 13, 2012 in tasting

 

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Return of the red-eye.

Glasgow, despite me not being born there, has always seemed quite homely to me. I moved there in 1996 from Dundee to find more interesting work and a richer gene pool. Anyone who knows the comedian Frankie Boyle will know that Dundee really is a place most people want to leave as soon as they can. In fairness, it’s vastly improved since then and even has an airport which flies direct to London City, but it’s too expensive if you ask a Dundonian.

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Frankie says it's shit

Running a number of bars and restaurants in Glasgow made the city feel more homely to me. It didn’t take long to have a wide a varied crowd of friends in the industry and we all seemed to move in the same circles making Glasgow almost village like at times. Areas such as Byres road with Ashton lane almost replicating the high street of a hamlet or the Merchant city with its heady mix of the pink pound and the cutting edge cool had created pockets of society who were a kind of nomadic herd. Find yourself at a loose end at any time of the day or night and you just needed to wander into one of these areas to catch up with a pal. Remember, SMS was in its infancy back then.
It helps that the Glaswegians are generally such a social and welcoming bunch. Well, as long as you are not wearing the wrong football colours on a Saturday night in Sauchiehall Street. Not like Edinburgh which is all old money and law, Glasgow was built by its people, for it’s people and hasn’t lost sight of its hard working-class roots.

It had been 8 years since I had been “home”, mostly due to the fact that every time I travelled back to Scotland I headed to see the folks on the east cost and merely drove past the outskirts of Glasgow on the way but this time I had a couple of meetings to attend and a distillery to visit.
I flew from Luton, after grabbing an early train from London. I am not actually sure what train it was, or at what time because I didn’t actually wake up until the seatbelt sign went out but I arrived in Glasgow around 9am.

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Not quite the fanny-magnet I was hoping for.

Car hire, like most things we see advertised, seems such an easy task. The families on the billboards and leaflets are always smiling into the yet uncharted distance with their shiny wee hire car, a simple, no hassle experience to aid your onward journey. That might be the case in the movies and the world of advertising, but when you forget a couple of so called “vital” bits of info, it can turn out quite farcical. For example: you must pay a deposit by the same card you booked the car with. Oops, don’t have that with me. And you can pay cash? No, of course not, that would be too simple. Anyway, after an hour of working on a solution, shifting money around bank accounts and generally loosing the will to drive anywhere other than back to bed, I had my car. During the process, there was a calming influence that kept my temper at bay, that being the desk clerk repeatedly sipping from a bottle of irn-bru. Ah, it was indeed good to be back.

I used to drive on the M8 every day into work and its funny how things from the past can sit in your memory with out you realising it. If you had asked me to describe the journey from the airport to the centre, I would have struggled, but like some kind of tin clad homing pigeon, there I was, without hesitation driving in all the right lanes, indicating without realising it and turning off at the correct junctions straight into Glasgow.

It was an hour till my meeting so I parked up and took a wander. It’s quite amazing to see how huge areas of the city have been regenerated and look all shiny and inviting. It was always a great place to shop, but the areas which had all the good shops were little retail island in amongst a sea of run down tenements, derelict offices and gravel car parks. Now it seemed the link between the top end designer shops and the high street had been bridged by mid end fashion houses, independent retailers and generally quite smart shop fronts. It was raining though, so the council failed on improving that part.

After my meeting it was a short drive to Auchentoshan. Despite living in Glasgow for a long time, I never did make it out to the distillery, shameful I know! But that meant I was looking forward to it all the more. “Auchie” has always sat in a strange place for me, not just georaphically, but also in my mind. A lowland malt, perhaps by geography only as the core range has some decidedly weightier styles than a lowland. But who cares? Regional selection is dead. The whisky maps should all be burned and fuelled with English money that drew the highland line in the first place. I always chuckled when I read the description of Auchentoshan “ideally located between the poetic banks of Loch Lomond and the bustling metropolis that is Glasgow” eh? It’s at the end of the Erskin bridge, next to a council estate on the Great Western Road. It couldn’t be more “Glasgow” if I tried. Gotta love a bit of PR spin though. It is in fact so close to Glasgow that it was bombed during the war! That was the second world war, not a Rangers-Celtic derby.

In fairness, it probably did seem quite rural when it was built in the early 1800′s (although there is evidence of it being much earlier) and the name Auchentoshan means “corner of the field” in the Scots tongue, but it’s location today at least makes it one of the more accessible distilleries being only about 20 minutes drive from the airport.

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You should see the T-shirt you get at the end of this lot!

The distillery offers a number of different tours for people to choose from, catering for all levels of whisky knowledge and I was privileged to be given a personal tour of the facilities. A bit more in depth than a standard tour but of course I am not about to get all geeky about spirit cuts and wash temperatures here. Sorry to disappoint. It’s a wonderful smell when approaching the distillery, that rich malty note in the air, mingled with rain of course, and the sight of the warehouses and still house which are nestled closely together at the base of a sloping valley on the banks of the Clyde. Despite its fame, Auchentoshan remains fairly small in it’s operation although it’s single set of three stills and one mash tun are now working 7 days a week to keep up with the demand and is turning out close to 2 million litres per annum, surely set to increase further in the near future.

It is well known that Auchentoshan distill three times, creating a light, floral new make spirit with plenty of green notes and sweeter malt tones. What is perhaps less well known is that Auchie uses water from a loch, not a spring. In fact, it is the same water supply that Glasgow receives its tap water from, albeit from a direct pipe rather than the aged Victorian lead system no doubt still rife beneath the adjacent city. It does raise the question regarding distillers banging on about water quality and how vital it is for purity. Surely the impurities are boiled off? Surely all of Scotland’s water, loch or spring, has passed through similar paths. Most of the Scottish lochs are actual fed by any number of springs, and there is less chance of concentrated sheep piss or a dead cow lying in the middle of a loch. Maybe a question to raise with a distiller at your next visit?

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The perfect place for a relaxed dram.

I loved the simple, no bullshit approach of the whole distillery. A really warm welcome from all the staff, great visual aids all around the facility and a lovely little visitors centre and lounge area to relax in. Its a pity they don’t see more footfall as it is not part of the Whisky trail, but look, let’s face it, if you want to visit Scotland and get a good idea of its people, land and heritage, you can’t go far wrong than a flight to Glasgow, a drive to the distillery then onto the west coast, which, despite me being an east coaster, is far more awe inspiring.

After the tour, we got down to some tasting delights and again, I was privy to a rather select range as I had tasted the core range many number of times. I also had the car, so it was three tiny wee tastes and a gallon of water (after, not with)
First up was the Auchentoshan Valinch a non chill filtered cask strength (57.5%) youthful dram from first fill ex-bourbon. Most probably between 7-8 years old. It was a welcome start, with it’s nose showing the lightness of the new make, even at this strength and gorgeous fruity notes of banana, Creme caramel and nutty cream and the palate showed the same but a bit more deeper fruits as if warmed with spice. Having been drawn straight from the cask, (a valinch is the oversized pipette that draws samples from a cask) the bottling held evidence of its previous container with a fair amount of charcoal residue at the base of the bottle.

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Next was the 1996 of which I was informed there are only 41 bottles remaining! Again, a cask strength whisky (57.1) and non-chill filtered and from first fill hogshead cask. This particular example was distilled in 1996 and bottled in Dec 2011. It truly was bursting with power and elegance as masses of rich spice and liquorice battled side by side with floral overtones and a creamy, almost oily mouthfeel.

20120306-131135.jpgThe last dram of the session was a beauty. An 18 yr old at cask strength again. still with its old label rather than the newer, and might I say really stylish one. Immediately surprising was the light nose. Complex yes, with rich leather, nutty balance and faint citrus but still that wonderfully light and floral element remained from the new make. Testimony here that triple distillation really does shine through in character, even after all these years in such a fruit driven vessel. I really do wish I had stayed longer and had arranged for alternative transport as I am sure the day could have ended with a longer seat at the bar. However, I didn’t go back empty handed as I managed to get some fresh malted barley and freshly ground grist to use in my tastings. The trouble was, both were in screw top containers and resembled bomb making equipment. How on earth was I getting this through airport security?

Despite giving myself an extra hour to negotiate this potential hurdle, it turned out that I needn’t have bothered. Upon arriving at security I removed both vessels from my hand luggage and placed them in the black tray along with my coat etc. Immediately it raise a question from the security officer.
“What’s that.” he said in a cold, secure manner.
“Malt and grist” I replied, ready o further explain.
“Oh” he nodded “Right”
At this point, he turned round to the x-ray operator and repeated my exact words which were met with an affirmative nod. My bag passed through and without a further word I was passed security.

Amazing. You can’t take a bottle of sealed scotch through security, but you can take the component parts required to make it through no bother- and the grist looked more like anthrax spores!
It did give me more time to browse duty free and the bar- which despite being a Weatherspoons actually hand a fabulous range of malts on offer.

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So for all those years I have been away from Glasgow, it seems I have taken a wee part of it away with me this time in more ways than one.

 
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Posted by on March 6, 2012 in tasting

 

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The Russian and the airplane

Well, the year has flown by- and that seemed an apt way to start this little page.

My last session of the year was fast approaching and was a private booking at a flying school near London, a Christmas Party for the pilots and their families. Arriving at the venue, it was pitch dark, cold and raining, but the stars were out in patches and incredibly visible due to the lack of light pollution around the airfield. Of course, the struggle then began trying to move two cases of whisky and a bag full of glassware across the ink black car park, interspersed with frozen puddles of water just to make the journey a bit more interesting!

It was a small venue, but already filled with people and a warm welcome once inside. Had a coffee and set my things out ready to begin. Within the first 10 minutes, a Russian gent wandered over and started discussing whisky. Well I use the term “discuss” lightly as he decided to tell me about his whisky and the fact that the selection i had brought along to try was shit. yes, that’s right, shit!

Amazed by this response, I retorted and said that his superior palate my not be challenged this evening in the way he was hoping but perhaps the more educational side of the talk would be of interest? I asked what he normally drank and Fine Oak Macallan or old Glenmorangie was on his list.  Again, his responses where not really worth putting down here, but safe to say his card was marked from then on. I decided to let him try something special a glass I had poured for myself, away from the rest. Just a little something to relax me and warm me up.

“Here, try this” I said, handing him the Glencairn Glass with a base filled with whisky.

He nosed it, and drank from the glass without hesitation. After a second or two, he said “Its OK, got quite a nice spice to it and a nice finish, what is it”

“ah, a little something some friends and I are working with. Quite a smooth mouth isn’t it- it has a sherry cask finish and a bit of grain whisky”

“whats grain whisky?” he replied with a quizzical look on his face.

Bingo! I had him worked out. This was no Jim Murray- this was your average blowhard who likes to impress his friends around the dinner table about his extensive collection of single malts, when actually, he does not know the first thing about the drink.

I reached into my bag and retrieved the bottle of Grants Cask edition #2 (sherry cask) and handed it to him.

He might not know much about whisky, but it was clear from his expression that he was not impressed by the trick I just played on him.

“sometimes its best not to judge a whisky by its label and just enjoy it for what it is”.

He returned to his chair and I began to introduce myself to the room.

Towards the end of the 90 minutes, with most of the guests relaxed and cheerful, with glass in hand and firing the usual questions across the room at me, I knew at least they had a good time and appreciated the range of whisky and the conversation. I cleared up, filled my car with my glassware and props and went to find the owner for payment who turned out to be the Russian from the beginning of the night.

Big Russian please dont hit me.

“right, Scotsman, follow me”

We wandered down two long corridors, which seemed incredibly long for a small venue, into a small office, sparsely furnished with just s side table, chair and a sofa, which was currently being occupied by three more gents, one on his telephone, speaking Russian.

The owner turned to me once we were inside and said.

“I am not paying you” with a direct look at me. “it was ‘sheet’ just like I thought it would be”

Now, at this point, my brain, which was tired from the travel and the session, had a second to catch up with what he was saying, then another second to decide how to respond. But that dint quite give it enough time to think about the situation, the other men and the fact I was now so far away from the part I couldnt even here the music, in a small office, on an airfield, at midnight, miles from anyone.

So my response was perhaps a little rash!

“I beg your pardon, I don’t quite understand, please pay me sir and I will be on my way”

Now, if you think that the above was actually the response I gave, think again. Those of you who know me, have already worked out that despite the bulk of the man in front of me, his aides by his side and the location I am not the type of personality to fade into the background in situations such as these. Coupled with the fact that after running bars in Glasgow, you soon get a sense of the trouble punter you can handle and those you simply cant. I was not about to walk out empty-handed, nor was I about to let someone think they could do business with this Scotsman like this.

After a slow breath, I mustered up my Scottish courage, moved my right leg back a little to keep balanced and responded in the manner of a man who has just been placed in some considerable danger. Not printable here, but safe to say, “vocal”.

It worked though, after an exchange of heated words, some physical intervention and even a moment of calm a large enough proportion of my fee was agreed and we went our separate ways.

He went back to the party, and I made my way back across an even darker car park covered in even more ice, found the car, got in and drove down the long driveway to the main road.

I don’t think I exhaled until I saw the white lines of civilisation!

Still think I have the best job in the world?

 
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Posted by on December 21, 2011 in tasting

 

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