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Education is the Golden Key to Whisky Profit

Take a glance around a supermarket spirit shelf in any good sized town and you will be faced with quite a selection of whisky including offerings from outside the UK. In fact, as Gin, tequila and other spirits have seen a massive rise in popularity and therfore shelf space which has fortunately been driven by the consumers “thirst for knowledge” we see a general increase across the categories. Go back just fifteen years and your choice of gin would be perhaps three in total with 100% agave tequila almost unheard of in anything other than top London destinations. Today you can buy some of the best tequila and boutique gins from distillers such as Sipsmith and Chase from your local supermarket whilst stocking up on dragon fruit and edemame. Consumers are understanding these categories more and seeking out the more unusual offerings, but only after careful research gleaned from every available source. Consumers have all the information they require to hand from the enthusiastic bloggers post reviewing the latest releases, lifestyle magazines that scratch the surface a little deeper to tell the reader not only what to drink- but where and how to order (and what to ware whilst ordering!) to experience events such as the hugely popular GandTeatime and Dont-shoot-tequila which offers educational tasting events across the categories all across the UK (just like us at Dramatic Whisky). Yet there is still a need for an element of trust when a bartender or shop assistant is recommending a product which is only gained if the right knowledge is shown.

Whisky has always help a fair proportion of the shelf space- mostly due to the range of blended whisky that has always been available, but the current success of more premium spirits has undoubtedly lent a helping hand  for whisky and in particular single malt. Blends have always outshone single malt, contributing to about 90% of all global whisky consumed, and not only the standards blends but as we see premium blends such as Black Grouse and Johnnie Walker Gold Reserve start to jump over the sales targets set- although some premium blends are beginning to tag themselves with prices around that of a 10 or 15 year old single malt, the choice for the consumer is at an all time high. There is without doubt, an opportunity to up-sell in a recession stuck country such as our- people may be going out less and certainly watching what they are spending their money on, but when they do venture out its value for money and an experience they seek no matter what their status or budget, And as staying at home becomes more common place, people are choosing more premium products to recreate a “better than normal” experience at home. Unfortunately, far too often the UK hospitality sector and the high street retailer are seriously lacking the skills to deliver the right service or information, failing to capitalise altogether.

A few years back, when I managed The Lobby Bar at One Aldwych, London hit a tough time for tourism as 9/11 was a recent happening. Most of the five start establishments had slashed room prices as occupancy dropped to an all time low with some of the grandest of London’s establishments only reaching 20%. One Aldwych stuck to her guns, kept rates as standard but didn’t lay off a single member of staff. I witnessed this risky approach in action one evening as the then time C.E.O. of a certain orange budget airline, who was a regular, asked the owner directly why he was paying the rate he was when he could pop over the road to another five star and stay there for a third of the price. My boss’s response will stick with we forever- “Would you like me to arrange for our luggage porter to take your bags over because they have had to let theirs go”. Basically, if you can still offer value for money and deliver the perfect guest experience every time, you can maintain your price when all around you are loosing theirs.

Emerging markets outside the UK such as India, Russia and China have certainly helped boost the numbers in terms of whisky exports and sales over the last coupe of years and no doubt will continue to do so for some time, but surely we need to support the foundations in the UK to ensue we are not left behind- and here is where the problem lies.

To most people, a bottle of single malt is a pricey investment when buying at the supermarket as many still choose by age and with age, rightly so in many cases, comes a hefty price-tag. The consumer is left with a bewildering choice with little guidance other than the marketing departments best attempt to stand out from the crowd with a well crafted introduction to the whisky on the label- few though, actually tell the customer what the whisky actually tastes like. I’ve tried to ask members of staff for help, and even in large high street retailers, unfortunately the response is rather laughable.

Pubs in the UK don’t fare much better in my view. Most stock whisky, a blend at least, or have a carefully selected range which unfortunately is selected for them by the brand manager and therefore the bar staff think the job is done. They don’t need to actually learn about the range, it has “something to cover all palates” as the rep told them. Now of course this is not always the case- there are venues out there who do take care and consideration over the stock they invest in and support the choices with good staff training ensuring they can sell through the range and keep customer satisfaction at a peak. After all, with whisky on such a rise, there is great profits to be made on a large dram of liquid gold.

But the above is a minority, too few and far between a dram to bother seeking out. Even in my home country of Scotland I am shocked to find such a lack of knowledge and enthusiasm for our national drink which you would think would be the first place to start. Yet sadly, it is venues such as these, which are filled on a daily basis with customers who are interested in trying something different, moving up from a blend to a premium blend or a single malt, who would gladly spend that little bit extra if only the bar staff had the training and knowledge to deliver trust to the customer that they knew what they were offering and could recommend well.

In reality the local pub actually has it quite easy as they should know the clients well and therefore have the opportunity to sell a single measure of a new whisky, allowing them to try something without investing in an entire bottle from the supermarket. So why does this not happen more often? It seems to me that venue owners are as much to blame being fearful to invest in whisky. Yet the numbers are clear, whisky is on the rise. From the entry level blend through its premium big brother on onto the guidy heights of superstar single malt. You don’t have to be brave to bath in its glory- just clever and understand that with a little investment in training staff or even further – inviting the customer to partake in tasting events such as Dramatic Whisky, then whisky sales across the bar will increase. What I fear is that venue owners, upon hearing the good news about the growth in the category will simply grab an extra couple of “on offer” brands when next at the wholesaler and hope they chose well enough. Its not as if the tools are not out there on offer either. Every whisky brand manager will happily spend an afternoon at your venue training staff on the virtues of their brand. Or you can bring us in.

Try my little technique to work out if a bar knows its whisky- scan the back bar of whisky, find something you know well then think of an alternative but similar brand. Tell the bartender you want a whisky and normally drink the brand you are thinking of, then ask for a recommendation of something similar. Hopefully the bartender will offer you the brand you picked out but trust me on this- it works maybe 2-3 times out of 10. In fact, I have said at times I normally drink Glenlivet 12 in the hope they will offer me the Glenfiddich 12 but I have in the past  been offered  Laphroaig as a substitute because “Its really popular”. Eh, HELLO? Great news for the brand manager of Laphroaig, but I’m one unhappy customer if I don’t like Islay whisky and I’m afraid that all important confidence i was hoping to attain as a customer has just left the building.

Recently I was asked to consult at the bar for a two michelin star restaurant- a very well respected establishment with a great reputation. Apparently the whisky shelf was a little tired and they had asked that I come in to help revive things a little. I visited the venue and yes, it was clear not much love had been placed there with Jack Daniel’s the only American choice on offer and the usual suspects making up the numbers. However, being a French restaurant the Armagnac and Cognac range was outstanding but on closer inspection it turned out that they didn’t actually sell much of any of it. My plane was set out in three parts:

Train the staff on the current stock of whisky- highlighting “duplicate” styles and training them on how to push the up sell to these to clear the shelf of them.

Introduce replacement stock, again with another training session to ensue the staff had the correct tools to not only continue to sell the existing range but also the new additions

Return to the venue in 3 months for a refresher training course and to analyse how the sales have been.

Two page proposal, all aimed towards increasing whisky sales and maintaining a healthy GP, fee set low as it would be a fun project with a great bit of kudos attached. Result was a “Thanks but no thanks, we will leave it as it is”. I checked the proposal again and I hadn’t put too much in there for them to carry the project through themselves, the fee was below market value considering the gains from the end result and yet no, even a restaurant with a per head spend in excess of £100 could not see the value in whisky.

What ever happen to the “Auld Alliance“? Somethings will never change.

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A Crafty Thought – Haute Dramture

So, this whisky thing we all love….seems at times to have multiple personality disorder. I mean, lets look at it from the side lines. Its been with us since early 1400 (us being the Scots) and we have enjoyed our party juice in many different ways. It never saw an oak barrel before the glass (unaged), it was supped still clutching big levels of alcohol (straight off the still)  and flavoured no doubt with a plethora of ingredients (heather, spices and probable sheep wool!), yet it remained a drink of conversation. A dram amongst friends and loved ones- sometimes who turn out to be not so loved by the end of the evening perhaps?

Branding...what branding?

After 400 years, heavy taxation, the discovery of the wonders oak aging can bring and improvements in distillation techniques, we arrived at a whisky that would be recognized today and luckily even after all this time, it remained a drink to have with friends. Not a collectable luxury item as we see in many cases today.

It puzzles me that as the luxury market increases, and popularity of whisky does the same, the drink is starting to become a dividing factor. I have worked with brands who seem hell bent on raising their whisky to almost iconic status, to sit shoulder by shoulder with couture fashion, car marques and dare I say, champagne up high in the rarefied atmosphere only a handful of us mere mortal folk get a chance to breath in (usually on an expense account!).

Do you like my bubbles?

This troubles me because this is not what whisky should be, not what it started out as. Ok, neither did clothes, cars or champagne, but to choose to only be seen in this light I think is brand suicide. In particular, and of course I am not about to name names here, but one whisky that springs to mind is actually taking the bold step to remove its entry level whisky from the market altogether ensuring that when one does purchase a bottle, it will have to be a 15 year old or more. This paints a picture in my mind of having a ladder to the stars, but starting the rungs so high that only a few can climb it. Pathetic if you ask me…oh, you didn’t? well I am telling you!

So that’s one way to encourage new drinkers right? Grab enough headlines about the price of your dram, make sure it is seen in a Hollywood star’s hand at a premier, make sure all your ambassadors dress like an extra from a Bond movie and you set the mood for future growth within your chosen demographic.

Somewhere "safe" for the rarest of drams?

But that is only a tiny, albeit important sector of the whisky consumer market – actually, look closer and you may find such an individual hoarding rare bottles of divine liquid not too far from wherever you are sitting reading this. The challenge is to ask then to describe to you, in glorious detail, the nuances of the bottles’ contents. The emotion attached to drinking such a rare whisky, the memories evoked from its smell and taste as each sip is savored, one second for each year it has been alive. The conversation struck up amongst the fellow drinkers they have gathered around to enjoy it with them. I’d say it will be a challenge- because 9 out of 10 individuals I have asked just that question to reply with the same stock answer- “Drink it? Oh God no, I’m too scared to open it”.

If you want to show off wealth, and lets face it- that’s what it boils down to because it can’t be taste!- then buy art. Not only will you adorn your wall with an individual creation that you will gain pleasure from on a daily basis as you pass it by, and perhaps notice it in a different light, but you will also be able to enjoy it with friends as they gaze at it and derive the same pleasure you do. It also says a lot about you as an individual, such as your viewpoint on life depending on if it happens to be a Degas from his racehorse era, or a Frank Auerbach from one of his less detailed periods. You cannot do that with a bottle of whisky in a glass cabinet.

So as this world of whisky evolves, especially Scotch as other whiskies from distilleries in all corners of the world start to compete, where does the distiller take his vision. A distillery can keep churning out age statement whiskies time after time. Sticking to what it knows best and hoping that new youthful whisky lovers will be born and hopefully, eventually stumble upon their creation and be a fan for life. A short-sighted approach I think and thankfully the Scotch whisky industry has few distilleries which fall fowl of this. Take for example Glenglassaugh, originally built in 1875 and mothballed in 1986 it was re-opened on the 29th February 2008. Clearly, the resting casks were a bit too old and expensive to make your first reborn release, it’s wonderful to be a phoenix, but if your feathers are all gold, you wont fly very far. The last thing they wanted to do was set out to be one of those dream drams (although they have since and it is wonderful!) they chose to sell the you “new make” spirit to create a revenue stream- smart right? It allowed people to try something different at a young age that expressed the distilleries style and future without a hefty price tag. I was a big fan of this move, I was not so much a fan of the name “The spirit that blushes to say it’s name” was the first title of new make rested for a short time in red wine barrel making it rose´in appearance. Brave, but it worked.

But what of more established brands? How do they look forward, if at all. Well, this week I was fortunate enough to be invited to try, along with 1000 others around the UK, a new release from The Balvenie, The Craftsman Reserve No 1. The Cooper.

It was to be unveiled during a “live tasting” linked via the distillery online to anyone who chose to join in. If you so wished, you could register at Warehouse 24 and they would send you out a rather impressive sample bottle and two etched tasting glasses. I must admit, it was difficult to keep my paws off it until the evening of the release! The live tastings are an indication of the forward thinking of this brand- using technology available to most and giving them an opportunity to be part of something fun- not just for the privileged few, journalists or whisky geeks.

Keep yer mitts off!

In saying that, a select few (limited by the room size) gathered at Boisdale of Belgravia restaurant to join in the tasting and discussion. Neil and Joel from Cask Strength were present, as was Billy Abbot of The Whisky Exchange, Ben Ellefsen from Master of Malt, Olly Wahring of Just Drinks and Alwynne Gwilt who is  Miss Whisky. Always nice to catch up with people from the industry who have become friends, joined by a dram. Again, the congregation is testimony to Balvenie and how important getting the message out through all avenues of electronic and social media is today. Andrew Forrester hosted the event in his typically informative and relaxed manner and in describing the provenance behind Master Distiller David  Stewart’s creation, managed to create a real interest in this special release.

The Balvenie is the only family owned distillery which today grows its own barley, malts in a traditional (floor malting) way, has copper-smiths on site to maintain the stills and even its own cooperage- to which this, the first of no doubt many releases, is in celebration. Ian McDonald joined the Balvenie distillery in 1959 at just 15 years old. He signed up for the 5 year apprenticeship in the cooperage and is now the Head Cooper for Balvenie. Just to confirm how important Balvenie think it is to have a cooperage on sight, not more than 2 miles down the road from the distillery is a commercial cooperage which supplies most of the Speyside distillers. But not The Balvenie.

Those of you familiar with The Balvenie will be aware of its house style – heather honey on the nose, light warming spice to the palate. In general, with the exception of the Single Barrel 15 yr old, the core range displays this, cleverly combining the use of both European sherry cask and American ex-bourbon cask in perfect balance delivering that delicious style. But here we have a change of direction and within the room on the evening talk was quickening regarding the style of this 100% sherry cask. Only 515 bottle were created from the two casks chosen and just 315 of those will be exclusively available in the UK to members of Warehouse 24 and at the very reasonable retail price of £65. Its free to join the warehouse, so don’t think you are being shut out- but do hurry!

Let me just pause for a second and repeat that: it is £65 a bottle. Not £650, not £6,500. This is an exceptionally rare and exclusive bottling, a step aside from the house style, created by a man with 50 years experience and only 515 bottles grace this rock we call home. Now, some reading this may still baulk at that figure- but listen, I will say this only once- this bottle could easily state a £650 price tag and every last drop of it would be purchased by the end of the summer. But would it be in the right hands, or more importantly the right glasses?

To me, this release shows foresight. It shows an understanding of the modern world of spirit and as we see new world whiskies creating more and more fine examples the Scotch industry needs more people like David Stewart. Unafraid to experiment, unimpressed with stardom and “Haute Dramture” (I might trademark that). To the Balvenie fans out there, they will get it. To those who approach the Balvenie for the first time, they will be impressed by the range and obvious craftsmanship employed here. Despite the various conversations in the room that evening, all agreed the whisky in the glass was excellent and look what happened, we enjoyed it amongst friends and we carried on talking about this and many more important things in life like good shoes (Neil) first loves and car accidents (Joel), isn’t that what it is all about?

The Balvenie No.1 The Coopers Reserve

100% sherry butt from just two casks (10142, 17949)

Grab it whilst you can!

Age: 15 years

Distilled: 1996

Strength: 59.4%

limited release 515 bottles  (315 in the UK)

RRP: £65

Available via Warehouse 24

Appearance: Light copper with rose gold shimmer and core

Nose: Complex mix immediately of rich sherry and deep malt. Brittle toffee follows turning into polished mahogany and leather. Lighter wafts of sweet popcorn, honey and spice of mace play a part before a circling note of fresh ground coffee.

Palate: Honey smooth with character to follow. Spiced nuts of Brazil and dark chocolate drizzled over dried apricot and fig before turning more citrus towards the end almost marmalade like.

Finish: Long and lingering with an abundance of syrupy spice which turns bitter coffee (in a delicious way!)

Nigella: try her with a dram of The Balvenie

The last question of the night was directed towards me, seemingly my continuous use of foodstuffs of various kinds at my tasting sessions as I try and drag whisky from the after dinner shelf into the pre-dinner selection has earned a reputation for pairing a dram or two. So, which foods would I pair with this creation. After a quick run through in my mind of the profile of the dram, it has to be Nigella Lawson’s ham joint roasted in coca-cola (other flavored fizzy drinks work equally as well).  Alwynne ran with the ham theme and suggested one of my all time favorite breakfasts- this will knock the socks off a pile of warm pancakes buttered with salty butter, layered with maple cured streaky bacon and all drowned in good maple syrup. What better way to start the day? nice one Miss Whisky. More whisky and food pairing ideas here.

 
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Posted by on January 19, 2012 in tasting, Uncategorized

 

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The (almost) ultimate guide to whisky & food matching

I have been promising this for a while now, and every time I sit down and begin, something interrupts me.

So here it is, the Dramatic whisky guide to food matching with malt. Good timing actually, because most people will reach for a bottle at some point over the next two weeks, and I bet you it is after the meal, which is such a shame.

Lets start

Remember, the whole idea of a sherry at the beginning of a meal is to increase saliva, get the digestion juices flowing so to speak, so a dry or even salt/mineral whisky will do just that and lets face it- far tastier than sherry!

My choices this year for canapes at events have been things like:

Oak smoked brown trout

Wild mushroom tartlets

Poached quails egg with truffle dressing

Seared tuna with wasabi

Grilled chorizo and Scallop

crumbled parmesan and basil

All of the above are designed to enliven the palate with either spice, citrus or earth flavours and all can be underpinned with a similar whisky. I would always choose something which has been aged in virgin oak (not contained any other spirit prior) such as The Glenlivet 15 yr old French Oak Reserve with its lively spice notes and mineral finish or the Bunnahabhain Darach Ur (which means new wood in Gaelic) or Auchentoshan Classic which although is not from new wood, has light white peach notes (think peach Bellini) and compliments pastry and citrus well.

Soup

Always a tricky one to get people’s heads around, but actually, richer cream based soups or ones from roasted veggies work well with deeper malts.

Cullen Skink- tastes better than it sounds

Cullen Skink

Roasted red pepper

Mushroom

French onion

You can split these into two different style of malt: Creamy and rounded or rich and earthy. Both styles will actually work well with the above soups, but I also like using something with a citrus lift to cut through cream. Jura Superstition is ideal with creamier fish based soups such as Skink, and the light smoke lifts the dish wonderfully. Dalmore 15 and Glenfiddich 15 both work with those sweeter style or earthy soup such as the red pepper and carrot, giving subtle weight behind the richer flavours. The use of sherry cask with Dalmore helps bring rounded spice of mace and roasted fruit whilst the unique Solera system employed on the Glenfiddich 15 adds a similar richness and a deeper Christmas cake note without being to over sweet.

The main event

Now, I know its christmas, but the idea was to do this feature for any meal, or at least for a range of foods. Lets avoid turkey-please! and think about the main foodstuffs that we can enjoy here.

Deer - but worth it

Roast chicken, mash and rich gravy

Steak, chips and red wine jus

Halibut with cream sauce and green beans

Venison, spinach and redcurrent jus

Stir fry vegetables chilli seasoned with soy

There are a number of drams to choose from , but he main meal is often the richest, even in terms of a fish dish there is normally a heavier butter or cream combination. Even the stir fry has a heady character with the soy and chili so what to choose? Well, the white dishes (chicken and fish) I would grab a bottle of Scapa 16, Glenrothes Select Reserve or Old Pulteny 17 year old (my personal favourite) all are great drams with a little salty bite and light citrus backbone and light warming vanilla in contrast. Most of the Glentrothes range will offer this but less salty and more nutty that the other two. For the meat dishes, go bold- Aberlour A’Bunadh, Glenlivet 18, Fettercairn Fior or Springbank 15 all offer good body with different traits such as a slight olive note to the Springbank, or the rich leather and polished wood of the a’Bunadh. For the stir fry with chilli, grab the Springbank again, or maybe even a Bladnoch Distiller Choice or a Highland Park 12 to cut through the heat but compliment the soy.

Sticky and Sweet

And onto the puddings. Again, the variety of desserts to choose from are vast, cold ice cream, light lemon posset, or sticky toffee pudding? Well, I like to compliment any type of dessert with a nutty orange malt, something that simply crates a warm caramel feel that basically any sweet taste will work well with.

Oh my sweet

Balvenie Signature with its famed house style of honey and rich spice or Dalmore 18 year oldGlenfiddich 21 with

its delicious rum cask finish, Glengoyne 17, Yamazaki 18 or Auchentoshan Three Wood to really get the sweet spices going.

 

 

Cheese and the rest (coffee if you must )

Cheese, seems like we only ever tried to match it with port and wine…but hold on, surely this is actually one of the better matches for whisky? all that cream, lactose, dairy fats (yup, there isn’t much that’s good about it other than the taste!) is crying out for something with  good alcohol content to rinse the palate and clean the taste buds. Enter stage left-WHISKY!

insert cheesy caption here...

Scottish blue- Ardbeg Uigeadail, Talisker 10, Old Pulteney 12

Mature Cheddar Clynelish 14, Glenlivet 16 , Balvenie Single Barrel 15

Goats (old)- Aberlour 10, Royal Lochnagar 12, Macallan 10 fine oak

Hard ewes cheese- Highland Park 12, Glen Ord 12 , Bowmore 10

And there are even some I would recommend to cover all of the above- Balvenie 17 Peated cask whilst it is still available, Glemorangie Quinta Ruban (port finish) and Whyte & Mackay 22 yr old (yes I know- but have you tried it? its awesome!)

Now, the last remaining pairing would be whilst you sit back and try to digest your own body weight- but you still can’t help reaching over for the box of Charbonnel et Walker chocolates you were given from Santa… and it would be foolish of me to divulge the amazing pairings that’s work here, so why not sign up for some of the Dramatic Whisky - Whisky and Chocolate classes held throughout January, February and March in London and get first hand experience of this divine combination - you could cycle there to work off the Christmas excess!

 

 
5 Comments

Posted by on December 21, 2011 in tasting

 

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